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Opening in May 2020, Lévy Gorvy will present Hybrid 2.0, a CONSUMER-DETERMINED, TASTE-CATALYSED, COLLECTOR-COMPATIBLE, 100% CONSENSUS-ISED art piece and exhibition. In the 1960s Pop icons Peter Phillips and Gerald Laing collectively imagined Hybrid (1966), an “ideal art object” generated from the results compiled from questionnaires taken by artists, curators, critics, and collectors, which emulated (and perhaps even foreshadowed) the prevailing tastes of the time.
This exhibition, Hybrid 2.0, presented in conjunction with Phillips and the Estate of Gerald Laing, will reapply the method of the original Hybrid to create today’s ideal art object. A similar questionnaire adapted to a digital platform will be used to produce a wholly original work of art reflecting current aesthetic tendencies. This new work will be presented alongside the original Hybrid, on loan from the Harvard Art Museums, Cambridge, MA and exhibited for the first time since its creation in 1966, together with a wide array of research and archival materials, photographs, and press-cuttings.
HYBRID: A TIME OF LIFE
In 1965, Phillips and Laing formed an organisation called Hybrid Enterprises in New York, with the aim to use market research techniques to create a work of art. Armed with ‘research kits’ comprising samples of colours and media, the pair asked one hundred and thirty-seven ‘art literates’—including Ivan Karp, Lawrence Alloway, David Whitney, and Leo Castelli—to make their choices. The final product, made in 1966, was an aluminium sculpture with sleek lines, candy-coloured stripes, and neon tubing, reminiscent of a rocket or racecar. Hybrid was featured heavily in the press, both prior to its making and after, approximating the status of a revelatory, must-have commodity, while playing with the role of mass-media in the fetishisation and commodification of objects. There was both praise and outrage; while for Alloway, “They set us up as nature and then drew from us,” writer Gene Swenson said, “The art scene is sick and Hybrid is the clearest symptom of that sickness.” Grace Glueck for the New York Times simply stated, “Who knows. It might sell!”
HELP CREATE HYBRID 2.0
Through the end of 2019, the public is encouraged to participate in the online survey for Hybrid 2.0. Preferences about media, shape, colour, and texture will be processed and averaged, resulting in a plan for an art object. Production will be overseen by the Estate of Gerald Laing and the work of art will debut at Lévy Gorvy’s exhibition opening in London on 10 December.
Hybrid 2.0 will celebrate the alternative approaches to art-making that emerged with the pop-generation and show the continuing relevance of Phillips and Laing’s legacy in today’s media-saturated and consumer driven society. As Hybrid Enterprises, the artists promoted a radical questioning of a zeitgeist in which everything could be commercialised which remains as relevant today. By engaging art lovers of all kinds in the search for a new collectively imagined art object, Lévy Gorvy will offer a moment of democracy of taste, playing the artworld against its own reified hierarchies. The gallery will also produce buttons, posters, and other memorabilia relating to the exhibition, in the same tongue-in-cheek spirit as Laing and Phillips, at once calling into question the commodification of the art world while actively participating in it.
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BRITISH POP ARTIST PETER PHILLIPS ANNOUNCES COLLABORATION WITH HAPPY SOCKS
Peter Phillips – one of the preeminent British Pop Artists of our time – is proud to announce a unique collaboration with fashionably acclaimed Swedish sock company Happy Socks.
Born into a working class family, Phillips studied at the Royal College of Art in London during the early 1960s, alongside fellow classmates Derek Boshier, David Hockney, Allen Jones, and R. B. Kitaj, among others. Melding commercial iconography – such as the arcade machines, pin-up girls and motorbikes representative of his Birmingham upbringing – with such commercial techniques as airbrushing, Phillips has created a body of work that is both formally dynamic and thought-provoking.
Happy Socks is known for its unique collaborations with such artists as The Keith Haring and Andy Warhol Foundations, as well as industry icons Iris Apfel and Dave LaChapelle, and retailers Barneys New York, Opening Ceremony and Colette. Inspired by Phillips’ unique craft and legacy that consist of over a thousand pieces of art, the designs take cues from some of his most iconic and memorable imagery, including “Four Stars” (1963), “Impeller” (1972), and “Custom Painting No. 6” (1965). The collaboration will be presented in a 400 limited edition box set containing a three pairs of socks – with Phillips’ artwork prominently featured.
Peter’s relationship to fashion extends beyond this collaboration. The artist’s late wife, Claude-Marion Phillips, was a prominent German model featured on the front cover major fashion magazines. Claude worked closely with Ossie Clark and other fashion icons of the 60s and 70s after she left her modelling career to become a designer. She owned two successful shops in Switzerland called GALAXY, while managing Peter’s studio and maintaining her own design practice. She was his partner in life and in work.
After years of living, traveling and working between Europe, the United States and Central America, Peter Phillips has relocated his working studio to Australia, located in the Sunshine Coast, north of Brisbane. Having found a large acreage property in the foothills behind Noosa, Peter renovated an industrial barn into a large-scale studio and gallery to house his private collection. The Peter Phillips Collection encompasses six decades of work, spanning from large-scale paintings to mixed-media collages to lithographic prints and sculptures, which will be unveiled to the public as part of a two-day event on May 18th & 19th, 2019 during the Noosa Food & Wine Festival, also coinciding with the artist’s 80th Birthday. The artist’s collaboration with Happy Socks will launch at this event, in celebration of six decades of Peter Phillips.
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A forefather of Pop Art, British artist Peter Phillips now lives in the Noosa Hinterland where he is unveiling a Restrospective Exhibition of his work, staged in his large-scale new studio gallery in time for his 80th birthday.
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The annual foodie fair has teamed up with chef Josh Lopez for the 80th birthday retrospective and gallery opening of resident British pop artist Peter Phillips.
Artist Peter Phillips can see the paradox. As a founding figure of the British pop art movement in the 1960s, he embraced commercial icons, as did many of his contemporaries. In his early artwork, the Birmingham-born artist, now living in the Noosa hinterland on Queensland’s Sunshine Coast, adopted images from his working-class upbringing, such as arcade machines, pin-up girls and motorbikes.
Now, the commercial world is embracing him back. Fortune Distillery, launched in mid-March by Noosa Heads’ Land & Sea Brewery, is releasing a limited-edition specially crafted gin featuring Phillips’ art on six labels, one from each decade of his career.
And in a second collaboration, Sweden’s Happy Socks has adapted some of Phillips’ iconography to produce a three-pair box set, limited to 400.
“There are a lot of paradoxes in this business,” quips Phillips over the phone from his home at Tinbeerwah, a 15-minute drive from Noosa Heads.
The partnerships are part of two events at this month’s Noosa Food & Wine Festival – POP! Pop Art, Bubbles and Canapés and Progressive Pop – designed to celebrate the artist’s forthcoming 80th birthday, the opening of his sizeable studio and gallery at Tinbeerwah and a retrospective of his work. The events take place at his new gallery at 36 McIntyre Lane, Tinbeerwah.
In his early days, Phillips studied with the likes of David Hockney and Allen Jones at London’s Royal College of Art. He moved to New York in 1964, exhibiting alongside America’s pop art pin-ups Andy Warhol and
Roy Lichtenstein before heading to Europe, where his work took on new directions. This included playing with art forms such as mosaic, relief and collage and, more recently, experimenting with fractals and algorithms.
“Looking back, it’s staggering how much I have actually done. When you’re doing it, it doesn’t feel like work,” says Phillips, whose
work is held in the collections of New York’s Met and Museum of Modern Art, the Tate Gallery and Victoria and Albert Museum in London and the National Gallery in Canberra.
As part of the retrospective, the gallery will display up to 50 works from Phillips’ private collection, including never before seen pieces such as his first painting, self-portraits from 1954, a couple of nudes from his days at Birmingham College and sketchbooks.
“It’s a very personal show,” says his daughter, Zoe Phillips-Price, who helps to manage her father’s collection and was instrumental in setting up the collaborations.
Phillips-Price is also organising a short documentary celebrating her father, with well-wishers such as the US rock band The Cars, artists Allen Jones, Peter Blake and Derek Boshier, and art historian Marco Livingstone. “It’s a birthday card from me to him,” says Phillips-Price.
Of course, you can’t have food festival events without food. Josh Lopez, erstwhile executive chef of Brisbane’s Gallery of Modern Art jumped at the chance to design menus inspired by Phillips’ art.
For POP! Pop Art, Bubbles and Canapés, he is creating six canapés each reflecting an artwork from a decade of Phillips’ career. From his pop art period, for example, the 1966 maquette Hybrid inspired Lopez to rustle up a translucent potato plinth with blue scampi roe entwined with the red of poached scampi meat.
Another appetiser mixes chocolate with pure fruit extract to reproduce the psychedelic-like colours of Phillips’ study of fractals over the past decade.
“The composition of the art was really important to the execution and creativity behind the canapés,” explains Lopez.
For Progressive Pop, Lopez is designing a degustation lunch menu of six courses – one per decade – again tracing the progression of Phillips’ artwork. But what he’s cooking will remain under wraps until the day.
“We want to keep it a secret,” says Phillips-Price.
The art-food combo, a first for Noosa Food & Wine, is part of a suite of innovative experiences being introduced by new festival director Sheridah Puttick. “I looked at the festival this year and, for me, it’s always about putting people together and allowing them to get creative,” she says.
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His career has spanned over 60 years and numerous continents, so it’s no surprise that prolific British Pop Artist, Peter Phillips is extremely well versed in his artistry. After living and working in the USA and all through Europe, Phillips now resides in the sunshine spot that is a piece of art all on its own: Noosa. And what better place to showcase his work than the Noosa Food and Wine Festival this May?
To inaugurate his newly constructed studio gallery that is a must-see for art-lovers in the Asia Pacific, Phillips will be hosting two special events as a partnership with the Noosa Food and Wine Festival – which also coincides with his 80th birthday!
POP! Pop Art, Bubbles and Canapés will take place on Saturday 18th May, with contemporary canapes and cocktails crafted by local chefs and mixologists. Attendees will learn about the history of Pop Art, meet the man behind the art himself, hear stories of his creative career and be the first to see the retrospective exhibition!
On Sunday 19th May, the event titled Progressive Pop will take place, where guests will devour a six-hour course degustation menu artfully prepared by chef Josh Lopez. Each course will be paired with a glass of wine and accompanied by rare artworks from Phillips’s collection, creating a lively environment for both culinary and creative lovers!
The events over the weekend will present an exclusive first-look at the retrospective exhibition Phillips will be hosting all-year-round at his studio, as well as a short documentary on his life. With critiques from TIME Magazine and The New York Times doting Phillips as an industrious craftsman and celebrated contemporary artists, we’re certain the exhibition will be nothing short of extraordinary.
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Now residing in Noosa, Queensland, Phillips made the move after living and working in the USA and Europe, to be closer to family who also relocated there. In recognition of his internationally recognised record of exceptional and outstanding achievement in the arts, the Australian Government granted Peter a Distinguished Talent visa, allowing him to live permanently in Australia.
Having found a large acreage property in the foothills behind Noosa, Peter renovated an industrial barn into a large-scale studio and gallery to house his private collection. The new permanent collection encompasses six decades of work, spanning large-scale paintings to mixed-media collages to lithographic prints and sculptures, and will be a must-see destination for art-lovers in the Asia Pacific.
Phillips inaugurated his newly-constructed studio gallery with two special events as part of the Noosa Food and Wine Festival 2019, which also coincided with Phillips’ 80th birthday.
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