No works found.
Please try a broader search.
Francesca Gavin for the Financial Times’ ‘How to Spend It’ writes about Phillips’ works in auction.
“Waiting for certain artworks to appear at auction can be like waiting for a bus. Nothing comes along and then three appear at once. This is true of British pop artist Peter Phillips, who made his name as a contemporary of Peter Blake and Allen Jones in London, and Roy Lichtenstein and Andy Warhol in New York. Three rare Phillips works have been made available for auction for the first time: two were recently sold by Christie’s in the UK, while a third will go under the hammer at Koller Switzerland on Saturday December 8.
Birmingham-born Phillips, now based in Australia, originally studied at the Royal College of Art alongside David Hockney and RB Kitaj, where he quickly made a name for himself. His paintings combined graphic stars and shapes with a dose of sex appeal and the modernist love of fast bikes, arcades and the machine age.”
Continue reading full article at Financial Times Online
Please try a broader search.
Taylor Dafoe of Artnet News, interviewed Phillips on his move to Australia, working at 79 and why he doesn’t think much about legacy.
Peter Phillips, the pioneering British pop artist, made some of his earliest (and best known) paintings over 55 years ago now. Yet today, in a world so oversaturated by commercialized imagery and self-generated photos, his work feels particularly relevant. Adopting the visual language of advertising, graphic design, and the Constructivists—while also channeling Dadaist collage—Phillips developed a style that was at once in step with his Pop art contemporaries and wholly distinct from them.
After training for four years at the Birmingham College of Art when he was a teenager, Phillips attended the Royal College of Art. There he first met longtime friends and British Pop art contemporaries David Hockney, Allen Jones, and R.B. Kitaj. Not long after that, he moved to the United States on a fellowship, living and painting in New York, and traveling cross-country with Jones. Numerous trips, solo shows, retrospectives, and special projects later, he was recognized as one of the most important British artists of his generation.
Phillips, who turned 79 this year, now lives and works on the Sunshine Coast of Australia—a place he visited regularly throughout the latter part of his life. His career is quieter now, but he’s still working, revisiting old, unrealized ideas, and experimenting with new techniques. Phillips spoke with artnet, looking back at the trajectory of his career, his relationship with other notable artists, and what his legacy might be.
Read full interview on artnet news
Please try a broader search.
After years of living, traveling and working between Europe, the United States and Central America, Peter Phillips has relocated his working studio to Australia. It is located in the Sunshine Coast, north of Brisbane.
In recognition of his internationally recognized record of exceptional and outstanding achievement in the arts, the Australian Government granted Peter a Distinguished Talent visa, allowing him to live permanently in Australia. (He remains grateful to the National Gallery of Australia in Canberra for their sponsorship).
Having found a large acreage property in the foothills behind Noosa, Peter renovated an industrial barn into a large-scale studio and gallery to house his private collection. The Peter Phillips’ collection encompasses six decades of work, spanning from large-scale paintings to mixed-media collages to lithographic prints and sculptures.
Importantly, the new space also serves as Peter’s primary working studio. The clarity of light and open space lends itself exceptionally well to Peter’s style of work.
While Peter continues to exhibit worldwide – with primary gallery representation in Europe – Peter encourages any collectors interested in touring his new studio in Australia to contact him to arrange a private showing.
Please try a broader search.
99 Mary Street have the pleasure of presenting legendary and highly influential British pop artist Peter Phillips. No mere retrospective, the show will play host to archive pieces, new works and revisited works including pieces produced specifically for this event. In this important showcase of the entire panoply of the Phillips oeuvre, visitors will be offered the chance to see and buy previously unseen prints. For any pop art/modern art fan or collector, the Phillips at 99 Mary Street exhibition is a rare and exciting proposition.
The work of Peter Phillips goes a long way to prove that Pop Art remains as relevant today as it was in that crazy and perpetually fascinating decade in which it was born. His early works continue to exude a provocative power and freshness to our 21st Century eyes, yet his contemporary pieces deliver the same undiminished punch. Phillips continues to offer back to us fragments of our cultural landscape in an unrelenting and unsettling expose.
As an artist Phillips has remained fully committed to the central tenets of his original line of enquiry, a rare integrity and has simply evolved along a continuum. Thus allowing his entire body of work to sit together in a most complimentary way, a seamless narrative spoken over more than five decades.
Refusing to run out of steam or simply rest on his well deserved laurels, Phillips continues to pose the same questions we see in his late mid century pieces. The boldness and vigor remain unabated and undiluted by recognition, his wit and eye unsullied by the journey. He kicks us in the senses with the same gusto as the artist as a younger man, the exact same foot in a modern boot.
Long may he remain this undiminished symphony for the eyes.
See more at: 99 Mary St.
New Works
Phillips’ present creative works are a new expression of recurring themes that have been present since his early works. Found images are re-assembled and painstakingly reproduced by hand in new and thought-provoking ways. Breaking free from a rigid, structured format, these fluid environments play host to the the dreamlike interplay between machine and man.
The artist’s aesthetic presentation has always been a reflection of the the physical and social environment in which he works. However, Phillips cautions against assigning a specific narrative, as each work’s interpretation is purposefully left up to the viewer.
Reimagined Early Works
Star Card Table
A classic pop art piece, ‘Star Card Table’ was originally painted in London in 1962 and was featured in Ken Russell’s movie, Pop Goes the Easel. The work features a seductive face framed by a five-pointed star, marking the outline of a square. Phillips chose ‘Star Card Table’ for this special edition because of its iconographic pop art look and particularly likes its simplicity of design, allowing differences in color to subtly shift the tenor of the piece.
Drawing Series 3
‘Drawing Series 3′ was originally constructed in Phillips’ swiss studio in 1967, where he relocated from New York a year earlier to work with Galerie Bruno Bischofberger. The work literally ‘draws’ on many common images found throughout Phillips early works: Machine, Car, Woman. ‘Drawing Series 3’ also features a set of concentric circles and a labyrinth – which Phillips became fascinated with while in New York – both of which lend themselves perfectly for foil printing in this special edition release.
Please try a broader search.
Peter Phillips has been commissioned by the BBC to create a new BBC Four ident which will run throughout August alongside new logos produced by his fellow Royal College graduates Peter Blake and Derek Boshier. The trio starred in the seminal 1962 Ken Russell documentary about Pop Art, Pop Goes The Easel.
Phillips’ BBC Four Ident brings to life an animated version of three paintings from his private collection: Black and White Painting, Art-o-Matic Riding High and Zone II.
For more info visit the BBC’s POP PAGE and see the PETER PHILLIPS IDENT.
Please try a broader search.
The Helmhaus, a contemporary art institution run by the city of Zurich, will feature Peter Phillips in the upcoming exhibition, Das Dreieck Der Liebe – Körperlichkeit und Abstraktion in der Zürcher Kunst (“The Triangle of Love – corporeality and abstraction in Zurich Art”). The exhibition will run from 25 September through 22 November 2015.
Please try a broader search.